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BIG APPLE
STATUS: Post Production Oct 2000-March 2001 FORMAT: 35mm color PRODUCERS: Mario Chioldi, Danny Lerner DIRECTOR: Danny Lerner SCRIPT: Danny Lerner SYNOPSIS: Max Rosenberg and Angel McGee are two unlikely friends with differing views on life and love. With a little help from Angel and his myriad of odd-ball friends, Max stumbles across the solution to a wave of hate crimes plaguing New York and wins the love of his life. |
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LIFE IN BED
STATUS: Post Production FORMAT: 35mm color PRODUCERS: Al Ramos, Wendy Falcone, Nick Lindsay DIRECTOR: Nick Lindsay SCRIPT: Wendy Falcone, Nick Lindsay SYNOPSIS: Get in bed. And get out of reality! Three young women share one king size bed. But can they share the same rock star? Find out when you enter this zaney comic maelstrom of narcotics, libido, and confusion. The film tells the naked half truth about LA revealed as three beautiful bedmates negotiate the minefields of modern life: sex, drugs, hot rock stars and the right shade of nail polish. |
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THE CONCEALMENT
BUDGET: $7 M SHOOTING SKED: 8 wks LOCATION: UK, Germany PRODUCERS: Mario Chioldi, Russell Gow, Jim Hackett DIRECTOR: Mario Chioldi SCRIPT: Russell Gow, Jim Hackett SYNOPSIS: The opening scenes are set in 1941 and are based on the historic flight of Rudolf Hess, then Deputy Feuhrer of Germany, when his plane crashed in the North Sea off the coast of England. The story jumps to 1984 and follows the life of James Forrest, a retired British intelligence officer. Forrest discovers that his childhood memories and his fathers unexplained death are connected by Hess mysterious flight. |
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HE OUTTA BE COMMITTED
RIGHTS AVAILABLE: All RUNNING TIME: 87min FORMAT: Super 16mm B/W PRODUCER: Mario Chioldi DIRECTOR: Douglas Zimmerman SCRIPT: Douglas Zimmerman SYNOPSIS: Follows the trials and tribulations of Jeremy Price who was an upwardly mobile staff producer at a major network before meeting Dr. Leeks, a therapist with a predisposition for the unconventional. Now, in what seems to be his afterlife, Jeremy is trying to put the pieces back together. But with only moments of serenity. More often Jeremy seeks refuge in alcohol, pharmaceutical drugs, and sex. |